Outside phrases using the Phrygian dominant scale for jazzy fusion vibes

Today we'll take a look at the Phrygian Dominant scale. When a scale is Dominant, it means that it has a major third and a minor seventh. That means that a Phrygian dominant scale is a phrygian mode with a major third.

Influenced by John Petrucci, Steve Vai and Kiko Loureiro (Angra). The solo starts in F# Phrygian mode and then it modulates to B minor scale. We will use Alternate picking, Vibrato, Slides and Palm muting in this lesson.

We are going to explore the sound of the different phrygian modes.

The Lydian Dominant scale is a great way to sound a bit different on a Dominant 7th chord. These licks should get you started on this great scale!

The classical Phrygian dominant mode in a progressive rock manner by using Chromatic lines , inside/outside playing and random notes.

Pentatonics are extremely useful to create cool solos. But what if we added some notes to them? How about adding to the pentatonics the notes that would make them work on modes?

Develop your rhythm control and Power Chord visualisation, using a Phrygian flavour.

Learn how to play most commonly used 7th chords (Dominant 7 chords) such as A7, E7, D7 and others.